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- #BEST RIP SOFTWARE FOR EPSON F2000 HOW TO#
- #BEST RIP SOFTWARE FOR EPSON F2000 SOFTWARE#
- #BEST RIP SOFTWARE FOR EPSON F2000 DOWNLOAD#
#BEST RIP SOFTWARE FOR EPSON F2000 SOFTWARE#
Kothari RIP Software for Epson P600 - Atlantic Inkjet.Kothari RIP Software for Epson P400 - OpenDTG.Epson Software | Other Products | Epson Official Support.
#BEST RIP SOFTWARE FOR EPSON F2000 DOWNLOAD#
#BEST RIP SOFTWARE FOR EPSON F2000 HOW TO#
Scott Fresener has been in the industry since 1970 and is the co-author of How To Print T-shirts For Fun And Profit. You can adjust these areas using Tone Curve. Any other reading means your RIP will try to put a small amount of color there. Any reading other than 0 means you won’t have dead black in that area. Select the eyedropper tool (this panel works with most tools) and place the tool over areas you think are dead black.
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I use this panel all the time – it reads density levels. Open the Info Panel (Window/Info) and stick it somewhere so you’ll never close it. What appears to be solid black or solid white on the monitor is often not so. Make sure Preview is checked to see the effect, but always go back and forth so you can see the change to the image.įix black and white areas. Go to Filter/Sharpen/Unsharp Mask (don’t let the name fool you) and start with a setting of Radius 1.0, Threshold 6.0 and Amount 250. Photoshop has a great Sharpening filter that can enhance/improve the edges of the image when used correctly. It darkens the shadows and lightens the highlights and can make a huge difference in a flat image. You can also help an image by using the Tone Curve to improve contrast. Don’t overdo it – just get the colors to pop a little. Go to Image/Adjustments/Hue Saturation and move the Saturation slider up about 10 to 20 points.
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The conversion from RGB to CMYK reduces color saturation, and when bringing images from a vector program like Corel or Adobe Illustrator into Photoshop, there can be a color shift and dulling of the colors. If your file is a low-quality JPG image, you can use off-the-shelf JPG enhancement programs (very inexpensive) to improve the image and remove artifacts and boxes. If the image was a low-quality JPG file, you might see “artifacts” and “blocks.” Unlike screen printing where such imperfections might show up in the final print, these problem areas may not be as noticeable on a DTG image. This minor improvement will eliminate “jaggies” and smooth the edges. The first thing to do is go to Image/Image Size and upsample the image to 200 to 300 dpi and make it the correct physical size. You often get low-resolution 72 dpi images that are small in physical size. There’s also a lot of inexpensive third-party software that can do this.Īdjust your image resolution. Most raster image processor (RIP) software for DTG has features to “knock out” the background. Learn how to remove backgrounds so there’s transparency around the image. Just as with screen printing, you can’t make a proper underbase when the file has white (or a shirt color) around the image. Even though you often get JPG images with a white background, what you really need is a PNG file with a transparent background. Increasing saturation by 10 to 20 points will make the colors on a DTG image pop.Ĭhoose the right file type. Your job is to compensate for this loss and try to overcome it with tweaks. If the customer is used to seeing a bright scarlet screen print on a white shirt and you then do the same job with DTG, the red won’t be as vibrant. DTG colors can be duller – especially spot colors – than a typical screen print.
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When you convert a great-looking digital file from RGB to CMYK, many colors go “out of gamut,” meaning they can’t be reproduced exactly using just CMYK. DTG machines print using the standard cyan, magenta, yellow and black (CMYK). Though these instructions are written for shops using Adobe Photoshop, many of the methods outlined can be done in other raster graphic programs like Corel Photo Paint.
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Here are a few considerations when you’re working with images for DTG. Preparing artwork for direct-to-garment printing requires a different approach than working with screen printing.
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